Painting

Landscapes

At the Foot of The Flinders

These paintings are of the area at the foot of the Flinders Ranges near Port Augusta, South Australia.

Artist: Wendy Tanner Title: “Origami Outback” Medium: Oil on Canvas Dimensions: 50.5 x 40.5 x 4 cm Photograph by Tim Gresham

Artist: Wendy Tanner Title: “Ripples in the Landscape” Medium: Oil on canvas Dimensions: 50.5 x 40.5 x 4 cm Photograph by Tim Gresham
Artist: Wendy Tanner Title: “Silver Bushes” Medium: Oil and Acrylic on Canvas Dimensions: 50.5 x 40.5 x 2 cm Photograph by Tim Gresham

When I got to the Flinders Ranges I had a beautiful, still, sunny day to drive around and identify possible locations for plein air painting. The next day I spent all morning picking up my canvas and easel, as the wind came roaring down through the ranges. I could not keep anything upright and ended up ensconced in an old wool shed for the duration of my short stay.

Artist: Wendy Tanner Title: “From the Flinders to the Baxter Ranges” Medium: OIl and Acrylic on Canvas Dimensions: 50.5 x 40.5 x 2cm Photograph by Tim Gresham

These two paintings are memories of the Prom. A magical glade on the walk to Sealers Cover and a burnt out hill top, on the walk from Refuge Cove to Little Oberon.

Artist: Wendy Tanner Title: “The Prom before the fire” Medium: Oil on canvas. Dimensions: 101.5 x 101.5 x 4 cm Photograph by Tim Gresham

Artist: Wendy Tanner Title: “The Prom after the fire” Medium: Oil on canvas Dimensions: 61 x 76 x 3.5cm Photograph by Tim Gresham

On the return from my painting holiday we flew over Mildura. I pointed the camera out the window and just snapped randomly. I decided to challenge myself with a detailed artwork, collaging the images together in a way I thought was interesting. (Why do I do this to myself, all those fiddly little bits drive me batty.)

Artist: Wendy Tanner Title: “Pushing the Boundaries” Medium: Oil on Canvas Dimensions: 101 x 76 x 2cm Photograph by Tim Gresham

This one was a thought bubble. My vision for this work included a spattering of trees across the canvas, however I had shamefully managed to splash a few pinhead sized blue dots onto my red dirt. They were annoying the hell out of my so I painted the first trees on the pinhead dots, stepped back to have a look and decided I was done; no more trees required

Artist: Wendy Tanner Title: “Blue Sky Red Dirt” Medium: Oil on canvas Dimensions: 61 x 122 x 4cm Photograph by Tim Gresham

Still into art holidays I wanted to try landscape and headed outback NSW. I wasn’t impressed with anything I had painted, until on the final day, I sat down and painted this, shed ‘en plein air’ (outside). Thankful for one good work and a bit peeved with the trees – my tree tops / foliage was horrendous. My challenge going forward.

I then began to think about painting some of the amazing places I’ve visited in Australia.    My landscapes are not literal or photographic representations; I try to capture my response when I first saw the land.  Some of my landscapes are painted solely from memory and some I might use a reference photograph.

Artist: Wendy Tanner ©Title: A shed, a silo and a drum.
Medium: Acrylic on canvas
Dimensions: 41 x 50.5 x 2cm (Photograph by Tim Gresham)

Artist: Wendy Tanner © Title: The Bungle Bungles
Medium: Oil on Canvas Dimensions: 76 x 152 x 4cm (Photograph by Tim Gresham)
Artist: Wendy Tanner© Title: “MacDonnell Ranges” Medium: Oil on Canvas
DImensions: 100 x 150 x 2cm (Photograph by Tim Gresham)

Portraits

Much of my early painting began with portraits / life drawing – start from bottom of this page and work your way back up to here.

After a while I decided I wanted a pair for Carmine, so tried (and failed) to replicate my skin tone recipe and painted “Carmen” from another long pose session. But again that’s OK – the model is a strong vibrant women and I captured that.

Artist: Wendy Tanner © Title: Carmen,
Medium: Oil on Canvas
Dimensions: 101 x 76 x 2cm (Photograph by Wendy Tanner)

The Art Room was running a long pose Life Drawing session (6 hours). I decided to use paint and a new recipe for skin tones. However got my recipe badly wrong. So instead of attempting to paint a ‘traditional’ image I had wanted to do, I mentally scrambled for an alternative and just grabbed some chalk to do a high-level outline and winged it from there. Sometimes mistakes work out great (and sometimes not but I don’t take pictures of the stuff ups!) This is one of my favourite paintings.

Artist: Wendy Tanner © Title: Carmine, Medium: Oil on canvas Dimensions: 101 x 76 x 2cm (Photograph by Tim Gresham)

I enrolled in a two day workshop with Michel Peck. Day one, went home wanting to cry – nothing had worked for me all day. Next day, everything worked and I painted “Carmen”; went home thinking “wow, maybe I actually can paint.”

Artist: Wendy Tanner © Title: “Carmen”.
Medium: Mixed (Oil and Acrylic) on canvas
Dimensions: 101 x 76 x 2cm (Photograph by Tim Gresham)

Subsequently, created another favourite.

Artist: Wendy Tanner Title: “Lounging around” Oil on canvas 34 x 80 x 2cm.
(Photograph by Tim Gresham)

After some early classes on learning to work with colour and paint portraits, I painted this chap. It was so much better than my first attempts at portraits and yet there is so much wrong with it, but I love the colour scheme. Still enjoy looking at it.

Artist: Wendy Tanner © Title: Portrait of a man.
Medium: Acrylic on canvas
(Photograph by Wendy Tanner)

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